Speaking on the hour-long panel was Axelrod, who was named to the New York Jewish Week’s “36 Under 36” (now known as “36 to Watch”) in 2021 Talia Suskauer, who starred as Elphaba in the Broadway run and national tour of “Wicked” Shoshanna Bean, who was nominated for a Tony Award last year for her performance in “Mr. “I thought, ‘He’s a rabbi, how can you get more Jewish than that? It just really made me realize how much of an issue representation is for us.” He said that there was a time he wasn’t cast to play a rabbi because he didn’t look Jewish enough,” she recalled. Michelle (dressed as Fruma Sarah) attends the conference every year, and said she was interested in the event because she is Jewish and became interested in Jewish representation on Broadway during a Broadwa圜on panel she attended in 2020. Michelle dressed at Fruma Sarah, the ghost that Tevye says haunts dreams in “Fiddler on the Roof.” (Julia Gergely) “Parade,” about the real-life antisemitic lynching of Jewish factory superintendent Leo Frank in 1915, saw a neo-Nazi protest outside of the theater while it was in previews. While there have been Jewish-focused panels at Broadwa圜on since the annual conference began in 2015, the past year has been a landmark one for Jewish stories on Broadway - particularly those that deal with antisemitism, including “Parade” and “Leopoldstadt,” which both won Tony Awards. “It was in direct response to the casting.” In the aftermath of the casting announcement, the debate over whether or not non-Jews can play Jewish characters - a term actress and comedian Sarah Silverman dubbed “Jewface” - resurfaced online.Īmid the hubbub, “Somebody had said to me, ‘You should host something,’” Axelrod told the New York Jewish Week. Brice, a pioneering Jewish comedian in the early 20th century, struggled with her Jewish identity in her rise to fame. He said he organized it in response to the July 11 casting announcement for the national tour of “Funny Girl,” in which a non-Jewish actress had been chosen to play Fanny Brice, a role made famous by Barbra Streisand. The panel, called “Jewish Identity and Broadway,” came together in less than a week, its organizer Ari Axelrod - a Jewish actor, singer and educator - told the New York Jewish Week. The conference, at the New York Marriott Marquis hotel in Times Square, is an annual gathering in the vein of ComicCon that brings thousands of fans and industry professionals for a weekend of celebration, singing, discussion and meet-and-greets. The Jewish fans - whose real names were Jackie and Michelle, and declined to share their last names - were dressed as their favorite Jewish musical characters, and were attending one of the first panel discussions of Broadwa圜on 2023. After nine years, a young man (portrayed by Nick Krause) is forced out into the real world when his module is left without power by a lightning strike and discovers truths about that world and his own life that he never dreamed of.( New York Jewish Week) – A woman dressed as Fanny Brice from “Funny Girl” and another dressed as Fruma Sarah from “Fiddler on the Roof” were among the 100-plus people who filed into a Midtown conference room on Friday morning to discuss Jewish identity on Broadway. Set in an oppressive, post-apocalyptic future, resulting from a world-wide biological war, survivors live in small cement modules with little more than a computer which connects them to their job, food and entertainment. The film was financed by Telefilm Canada, the Northern Ontario Heritage Fund Corporation, the Ontario Media Development Corporation, and the Harold Greenberg Fund. Suki Films is producing the film with Nortario Films, based in Greater Sudbury. Principal photography on the film commenced June 2014 in Greater Sudbury, Ontario, Canada, and wrapped-up July 2014. The film stars Molly Parker, Nick Krause, Juliette Gosselin, Cassidy Marlene Jaggard, Jordyn Negri, and Daniel DiVenere. 2149: The Aftermath (also known as ESC, Darwin, and Confinement) is a Canadian science fiction film directed by Benjamin Duffield and written by Robert Higden.
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